Shame

In the late 1960s Ingmar Bergman was not a particularly fashionable figure, despite having made the astonishing and experimental Persona in 1966 (now one of the most respected films of postwar European cinema)....

On Saraband

Prelude “Saraband” is a mournful, heart-wrenching piece of music. It came about during the very short period of time that Bach was free from any religious responsibility in Köthen. In this relaxing, fruitful p...

Private Confessions

In preparation for writing about Liv Ullmann’s Enskilda Samtal (Private Confessions, 1996), I took the opportunity to watch Ingmar Bergman’s Nattvardsgästerna (Winter Light, 1963) and Scener ur ett äktenskap (S...

Faithless

Wendy Everett considers nostalgia and self-reflexivity as two distinctive features of European art cinema, and the exploration of subjectivity and the writing and rewriting of the self as its main preoccupation...
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The Silence

Tystnaden/The Silence (1963 Sweden 96 mins) Prod Co: Svensk Filmindustri (SF) Prod: Allan Ekelund Dir, Scr: Ingmar Bergman Phot: Sven Nykvist Ed: Ulla Ryghe Art Dir: P. A. Lundgren Mus: Ivan Renliden ...
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Winter Light

Winter Light/Nattvardsgasterna (1963 Sweden 81 mins) Source: ACMI Collections Prod Co: Svensk Filmindustri Prod: Allan Ekelund Dir, Scr: Ingmar Bergman Phot: Sven Nykvist Ed: Ulla Ryghe Art Dir: P.A. Lun...
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The Virgin Spring

The Virgin Spring (Jungfrukällan) (1960 Sweden 88 mins) Source: ACMI Collections Prod Co: Svensk Filmindustri Prod: Ingmar Bergman, Allan Ekelund (Uncredited) Dir: Ingmar Bergman Screenplay: Ulla Isaksso...