interview
Bref Magazine, or, A Tribute to Short Films and thus to the Cinema in General
I have been acquainted with the magazine Bref: le magazine du court métrage (1) and have followed its articles on short films for many years
“Yes, we were utopians; in a way, I still am…”: interview with Jean-Louis Comolli (Part 2)
Editor of Cahiers du cinéma between 1965 and 1973, Jean-Louis Comolli’s foundational place in the history of film theory will be assured by several key
“You’ve got to work at maintaining your version of the world. So start being alone!” An Interview with Terry Gilliam
A wide-ranging interview in which Gilliam talks at length about his life, his work, the malaise of the film industry, and the state of the
Adapting Julio Cortázar: Interview with Nicolas Humbert on Lucie et maintenant – Journal nomade
The film takes as its source Cortázar’s (and wife-photographer Carol Dunlop’s) book about their unusual road trip from Paris to Marseille, titled Autonauts of the
Il faut tout (re)garder dans son format d’origine: An Interview with Claude Bertemes, Director of the Cinémathèque de la Ville de Luxembourg
The origins of the Luxembourg Cinémathèque is a fascinating story of cinéphilia in its own right. Claude Bertemes discusses the Cinémathèque’s history, along with issues
The Monologist and the Fighter: An Interview with Bob Rafelson
For any scholar of the so-called New American cinema of the late ’60s and early ’70s, the career of Bob Rafelson makes for an interesting
Andrew V. McLaglen: Last of the Hollywood Professionals
Andrew V. McLaglen never quite reached the ranks of auteur, but he left his mark in his own way. This career interview offers real insight
“There is no Authenticity in the Cinema!”: An Interview with Andreas Dresen
Dresen has directed eight feature films and, as Abel reveals, “Is one of the rare successful contemporary German directors who was born and raised in
Satan Chic: An Interview with Cult British Horror Director Norman J. Warren
Warren, together with his contemporary Pete Walker, were seen as the “two young Turks of British ’70s horror” that took the genre beyond the gothic
“Who’s John Ford?”: An Interview with Lisandro Alonso
The Argentine director of the impressive Los Muertos (2004) discusses his impressive recent feature, Liverpool